Bilingual report — Gina Santi Photography Images of the Month – August 2020

 Images of the Month – August 2020
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Berbers, or Amazighs, are an ethnicity of several nations mostly indigenous to North Africa and some northern parts of West Africa. [Wikipedia.org]

During these past few COVID-19 pandemic months I have desperately missed the human side of being a photographer. I miss the huge privilege of having unique insights into the worlds of so many different people. Being quarantined with limited options on travel and work means having to search for new forms of stimulation and creative outlets, in order to spark the fire of my creative and personal energies.

Fortunately, photography in itself is also a therapeutic art form, one that provides many creative outlets in order to stay positive: embracing new skills, sharing experiences and knowledge with a strong and supportive virtual community, or going through boxes of old negatives and slides in order to complete that digitalizing project that has been on the back burner for so long.

These images were captured during a road trip through Morocco about 25 years ago, in my pre-anthropology days, when photography was to me no more than a casual hobby. They were taken with a Minolta XG-1 using Kodachrome 64 film. The resultant slides have been stored since then, they have faded and they have been scratched. Be it for nostalgia or to achieve a more emotional feel, I decided to explore the effects of transforming the color images into monochrome ones. I wanted to challenge myself to look at an image’s relationship with light, texture, and composition, instead of with color. In addition to what I learned using various photo editing techniques, I realized that trips down memory lane can be very emotional, filled with equal parts of joyfulness, melancholy, reminiscence, and thoughts of “Why on earth did I ever take that picture?”.

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Durante estos últimos meses de pandemia de COVID-19, he extrañado desesperadamente el lado humano de ser fotógrafa. Extraño el gran privilegio de tener una visión única del mundo de tantas personas diferentes. Estar en cuarentena con opciones limitadas de viajes y trabajo significa tener que buscar nuevas formas de estímulo y creatividad, para mantener vivas mis energías creativas y personales.

Afortunadamente, la fotografía en sí misma también es una forma de arte terapéutico, que proporciona muchas opciones creativas para mantenernos positivos: aprender nuevas habilidades, compartir experiencias y conocimientos con una comunidad virtual fuerte y solidaria, o abrir cajas de negativos y diapositivas antiguos para terminar ese proyecto de digitalización que ha estado en segundo plano durante tanto tiempo.

Estas imágenes fueron tomadas durante un viaje por carretera por Marruecos hace unos 25 años, en mis días previos a la antropología, cuando la fotografía no era más para mí que un pasatiempo informal. Fueron tomadas con una Minolta XG-1 usando película Kodachrome 64. Las diapositivas resultantes han estado almacenadas desde entonces, se han desvanecido y se han rayado. Ya sea por nostalgia o para lograr un sentimiento más emotivo, decidí explorar los efectos de transformar las imágenes a color en imágenes monocromáticas. Quería desafiarme a mí misma para mirar la relación de una imagen con la luz, la textura y la composición, en lugar de con el color. Además de lo aprendido al utilizar varias técnicas de edición de fotos, me di cuenta de que los viajes por el camino de la memoria pueden ser muy emocionales, llenos en partes iguales de alegría, melancolía, reminiscencia y pensamientos de “¿Por qué demonios tomé yo esa foto?”

Marrakech is home to a few tanneries where local families have been employed for generations, and have existed since the medina was founded over a century ago.  The traditional process for tanning leather is quite smelly, so much that you are gifted a sprig of mint to cover your nose to mask the smell. Using their legs, men tread and rinse skins in a fermented solution of pigeon poo and tannery waste before scraping and stretching the hides.
Man at work in the Weaver's Market (Fondouk Chejra), in Tangier
Two women enter the medina in Fez, through a small arched gate.
Tintin, always Tintin, even at the entrance to the Sahara!
To see the entire August 2020 gallery of images, and for more information, please click on this linkor send us an email at Gina@GinaSantiPhotography.com
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Copyright © 2020 Gina Santi Photography, All rights reserved.

 

Gina Santi is a freelance photographer born and raised in Venezuela and currently based in Tempe, Arizona. She earned her master’s degree in Cultural Anthropology from Northern Arizona University and has participated in various events in Northern Arizona, including the annual Celebraciones de la Gente at the Museum of Northern Arizona. Visit http://www.ginasantiphotography.com for more information.